梅因（Henry Sumner Maine，1822-1888）是19世纪英国著名的法学家、英国现代历史法学和比较法学的奠基人。其一生经历丰富，兼涉法律实务、法学研究与时评，著述颇丰。其法学著作多以讲义形式面世，传世名著《古代法》便是由他在伦敦四大律师会馆的讲稿修订而成，甫一问世即成经典，在西方法学界的影响经久不衰。

梅因（Henry Sumner Maine，1822-1888）是19世纪英国著名的法学家、英国现代历史法学和比较法学的奠基人。其一生经历丰富，兼涉法律实务、法学研究与时评，著述颇丰。其法学著作多以讲义形式面世，传世名著《古代法》便是由他在伦敦四大律师会馆的讲稿修订而成，甫一问世即成经典，在西方法学界的影响经久不衰。

The premier political philosopher of his day, John Rawls, in three decades of teaching at Harvard, has had a profound influence on the way philosophical ethics is approached and understood today. This book brings together the lectures that inspired a generation of students - and a regeneration of moral philosophy. It invites readers to learn from the most noted exemplars of mod...(展开全部)

This last book by the late John Rawls, derived from written lectures and notes for his long-running course on modern political philosophy, offers readers an account of the liberal political tradition from a scholar viewed by many as the greatest contemporary exponent of the philosophy behind that tradition. Rawls' goal in the lectures was, he wrote, "to identify the more centra...(展开全部)

The premier political philosopher of his day, John Rawls, in three decades of teaching at Harvard, has had a profound influence on the way philosophical ethics is approached and understood today. This book brings together the lectures that inspired a generation of students - and a regeneration of moral philosophy. It invites readers to learn from the most noted exemplars of mod...(展开全部)

阿克顿，英国历史学家，剑桥大学钦定近代史讲座教授，三一学院名誉成员。曾担任《漫谈者》主编，策划和主持编写了卷帙浩繁的《剑桥近代史》，身后留下了许多论文、笔记、演讲稿、短文、书信及个人思考的记录。阿克顿被当代的许多学者誉为“自由主义的预言家”。同历史上许多关注过自由的学者不一样的地方在于：阿克顿不是在探讨自由的价值、自由的后果，而是在探讨自由得以产生的原因，自由得以长久保存的条件。为此，他详细考察了自古希腊、罗马以来的人类历史，得出了他在自由问题上的许多真知灼见和先知般的预言，这些思想奠定了他作为自由主义预言家的地位。1902年于特格尔西辞世。

1980年代開風氣之先，將當代西方思潮批判性地引入中國思想研究領域的錢新祖教授， 所留下的《中國思想史講義》將再度啟迪新一代的人文社會學研究者。 本書為錢新祖先生極具個人見解的中國思想史，不同於一般哲學史或思想史教科書機械式的綱舉目張，書中每講都直接進入哲學問題，展開討論分析，盡顯洞見。例如論中國思想的起源，直指人文主義的稱說所涉及的是中西對天人關係構想的不同。作者有紮實的中西學術基礎，又能跳出各自的思考局限，從對比中彰顯中西思想傳統的特色，在書中發展為一種自覺的跨文化比較分析措辭手法，在現今全球化的語境中，特別值得參考。

The study of cinematic style has in many ways shaped attitudes towards films. Style assigns films to a tradition, distinguishes a classic and signals the arrival of an innovation. This book aims to show how film scholars have attempted to explain stylistic continuity and change across the history of cinema. The author explores the theories of style launched by Andre Bazin, Noel...(展开全部)